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More generally, the natural rhythm of language depending on the position of stressed and unstressed syllables.

For a more recent example, consider the disturbingly cheerful pop song by Foster the People, "Pumped Up Kicks," which deals with a school shooting.

Here, the shooter/narrator thinks, "I've waited for a long time.

A cadence group is a coherent group of words spoken as a single rhythmical unit, such as a prepositional phrase, "of parting day" or a noun phrase, "our inalienable rights."CAESURA (plural: caesurae): A pause separating phrases within lines of poetry--an important part of poetic rhythm.

The term caesura comes from the Latin "a cutting" or "a slicing." Some editors will indicate a CALQUE: An expression formed by individually translating parts of a longer foreign expression and then combining them in a way that may or may not make literal sense in the new language.

Examples include the divisions in Dante's Divine Comedy, Lord Byron's Childe Harold, or Spenser's Faerie Queene. (3) Poems in English that bear some similarity to Provençal lyrics are called CAPTIVITY NARRATIVE: A narrative, usually autobiographical in origin, concerning colonials or settlers who are captured by Amerindian or aboriginal tribes and live among them for some time before gaining freedom.

An example would be Mary Rowlandson's (love) espoused in the New Testament, the four cardinal virtues consisted of prudence, temperance, fortitude, and justice.

In response, some critics suggest we do away with a canon altogether, while others advocate enlarging or expanding the existing canon to achieve a more representative sampling. (1) It refers generally to the words of a Provençal or Italian song.

CANTO: A sub-division of an epic or narrative poem comparable to a chapter in a novel. (2) More specifically, an Italian or Provençal song relating to love or the praise of beauty is a canzone.

Theologians like Saint Augustine argued Christians alone monopolized faith in a true God, hope of a real afterlife, and the ability to love human beings not for their own sake, but as a manifestation of God's creation.

However, these early theologians argued that pagans could still be virtuous in the cardinal virtues, the old values of the Roman Empire before the coming of Christianity.

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